A beautiful wind sculpted arch with a landscape view of the Valley of Fire. I’ll call this a new arch since it’s not in any of the guide books. Scooted across a precarious ledge with a pair sticky shoes to get underneath the arch for a better view. I’ve got a few more shots of other arches not in any of the guide books that I’ll share in the future…
Posts Tagged ‘nature’
For anyone interested in autumn color in Southern California right now 12/18/2013, you can easily find it in just about any creek below a 1,000 ft elevation. Creeks with some flow will have more vibrant trees, sycamore trees vary in color from gold to bright rusty reds. Even a dull tree can become illuminated by backlight so you be surprised what you’ll find close to home. Some of the creeks that are known to more water then others may still be green such as many of the springs in the local mountains.
The creek shown here is located in the Front Range of the San Gabriel Mountains near Santa Clarita, California. Just how long will these colorful leaves stay on the trees? It really depends and can change from one canyon to the next. Temperature, exposure to wind, and the amount of water are big factors of how long the leaves linger into January. There are too many canyons to name in Southern California so I encourage you to keep an eye out as drive through any canyons or going out exploring for local gems you never really knew about!!
After watching this video – http://youtu.be/XrgxQzHhBl0?t=58m30s
Never had a day where there wasn’t a fabulous sunset and the moon appeared where ever or as big as I wanted it to be ….
Briefly at 58 minutes 30 seconds into the video the photographer states, “I was on vacation and I’m never coming back so I’ll just add clouds to the scene.” The video link is set to start right at that point.
To clear up questions this is a composite, the clouds were not there that morning at Fin Dome in the Sierra. I do not mention that I’m a documentary photographer in my bio but all shots I take have a RAW file or series of RAW files to match the scene or at least show the path I took in editing so I don’t share any images that don’t match up between sky and land other then bracketing beyond the dynamic range of a single image. No Delicate Arch photos from a Friday evening with a sunset from the porch here in Los Angeles on Tuesday. This is just my own personal belief that will vary from other landscape photographers sharing on social media.
Ansel Adams was known for heavily manipulating his captured film but he did not add a new sky from another time and place. If someone wanted to purchase the photo above or I shared it I WOULD SAY IT THE SKY WAS FROM ANOTHER DAY ADDED IN PHOTOSHOP. I couldn’t sell it or share it any other way.
Has landscape photography changed since the days of Ansel Adams?
This is not an anti art post, I love creating art
A few photographers I know that are really good at creating similar art photographs that I love to see are Klaus Priebe and Rich Martinez. They post some very interesting composites that just make you wonder how their imagination works. The art photographs that they create need no explanation or disclosure it’s in the work as you see it. I recommend friending or following these two guys because they do have some excellent work!!
Beliefs are highly varied when it comes to editing as to what people do and what they do not do. Should people have limits? No! Definitely not! An artist should do exactly what they feel helps them express their art in the way they see most fit. Art has no limits. If you feel you can’t compete with other photographers because they composite much better then you do then I recommend taking lots of graphic artist classes or watch many tutorials to get you up to speed with the people you want to compete with. Either way if you work as an artist or a photographer it will help you. Just make sure you put in the 1,000’s of hour of practice and you will see much improvement.
Merely looking for opinions on adding skies to images depicted as the way it was.
2012 was a great year and I hope you all enjoyed it. I had a some photos installed in the McCarren International Airport in Las Vegas, Nevada (Food Court area) and an interpretive night pollution display set up in the newly remodeled visitor center in Death Valley. I’ll be getting married and having my first child in 2013 so I know it will be another great year. Looking forward to seeing all the 2012’s best from Jim Goldstein’s yearly list! I hope your 2013 is as great as you make it!!
A hidden sea arch along California’s Central Coast
Cholla cactus garden illuminated by a spectacular desert sunrise in Joshua Tree National Park. The cholla cactus is famous for it’s dramatic way of catching backlight from the sun for hours after the sun has risen and hours before it sets as well. Don’t get too close or they may stick to you.
Wild yucca bloom in the Mojave Nature Preserve. It’s a beautiful place most photographers skip out on.
Death Valley Northwest Section
Death Valley Coyote Silhouettes
Death Valley Racetrack Backlit Lenticular Cloud
Canyoneering in Death Valley
Watchman Virgin River in the fall at Zion National Park
Fiery sunsest through Elephant Rock Arch at Valley of Fire State Park in Nevada’s Mojave Desert.
Eastern Sierra in Fall
More Eastern Sierra in Fall
El Capitan and the Merced in Fall, Yosemite National Park
Canyoneer makes a 40ft jump in a very remote section of Jump Canyon in Sierra Nevada Foothills of California
One of Zion’s Canyons filled with fall color.
Beautiful lone cottonwood tree on the Virgin River in Zion National Park
Repelling a waterfall in Jump Canyon in the Sierra Nevada Foothills of California.
Canyon Intersection – Zion
Thunderstorm above an arch in Joshua Tree National Park
Sea Arch in Big Sur, California Central Coast
S Curve at Valley of Fire State Park in Nevada.
Had a chance to look for Joshua Tree’s largest arch in the park, this is not it. I didn’t find yet so I’ll get back there once it’s cooled off a little more.
This is a shot from Saturday’s Meteor Photo Workshop. I didn’t advertise this workshop but just posted a single random post on facebook and picked up 6 students. With the small group it was so much easier to compose around each other. Hit the “Easy Button” !!! Sorry if you missed it, I’ll do another mini workshop somewhere in California and priced affordable for those who’d like an introduction to a unique way of learning creative photography.
While composing this photograph I had to imagine the merged files together as one because the 2×6 or 4×6, etc box of the viewfinder didn’t fit the format I was looking for. When we create panoramics we have to use our imagination and establishing the borders or edges of the frame are probably one of the most important parts of doing this. Here I took note on where there were dark areas around the bright waterfall so as the image is viewed there is more of flow downward without distractions along the edges of the frame. Any bright water on the edges would of pulled the eye towards it and disrupted the path and flow of where the water leads the eye through the scene. Here I chose to have an exit at the bottom where the water comes out of the frame. You can compose differently and keep the eye in the frame by keeping the white water away from the edges, this doesn’t necessarily mean you don’t want to have any bright water near the frame just keep conscious thought of where you place it. Conscious thought is what composition is all about. Have you ever felt you placed all elements of frame exactly where they needed to be?
We can create typical images of scenes such as this one but another thing to keep in mind is has it been done this way? If so fine take the picture then move on to the next scene while looking for something different.
American Galapagos Sunset – Channel Island National Park
Okay you got me it’s not the Galapagos Islands (I wish) but we like to refer to California’s Channel Islands as the American Galapagos because of their abundant variety of endemic species and plentiful sea life. It’s most certainly beautiful out there!
You can see the path of wind of in the distance. It’s partial evidence of how these high coastal sea cliffs are shaped.
The Channel Islands are some of the most beautiful islands on the West Coast. If you ever get a chance to see them it’s worth while. The weather is not the same compared to the mainland. You can be covered in fog while everyone is out on the beach back in Los Angeles.
Mt. Ritter and Banner Peak 2006
In today’s digital photography world it’s possible to feel like the odd man out when we want to keep a natural feel of color to a scene. Keep that sense of being in a scene that really existed by standing in it and thinking it does exist and it isn’t fantasy. Maybe it’s just being old fashioned or sticking to the roots of what inspired us to begin shooting landscape photography. Maybe it was the books we chose to purchase it we were in inspired before the internet craze? Facebook, Flickr or the internet wasn’t the way people found 90% of their inspiration back then as they do nowadays. There has been trends in the cycle of photography some strange and some just evolution. Back in the 80’s and 90’s landscape photographers used something called a tobacco graduated filter, it was a fad that died just like disco. Today we have “The Magenta Cast” and the “Glow Filter” (gaussian blur / Orton Effect), shoot I’m embarrassed to say I have a few of those images!!
Maybe that will be like saying, “I used to wear platforms with live fish in them” ?
Has anyone noticed a change in color of the canyons of the Southwest or am I seeing things? I last visited Antelope Canyon in 2005 and noticed a lack of magenta casts in the photograph during that time period and now it seems that canyon has more of magenta cast in it from most photographs shared on the net from Upper Antelope. Am I out of my mind or this is trend of adding a magenta cast right now?
We have to use photoshop as a tool 99% of the time to make our adjustments but there is a certain amount of discretion that highly varies between photographers. It should vary, we are all different. Many of the newer photographers not knowing how to use it well enough to express their imagination to it’s fullest potential feel limited without the knowledge of how to use it. Others overdue and that’s their intent, either way you can learn to connect with the way you would like to present your artwork or photographs. It just takes a little bit of time and if you’re concerned about color management consider backing off on the magenta a little.
This image was taken the previous year at Zion. At this location it can be a little precarious getting down to the water’s edge so the average group will not be found here. It’s a man made waterfall despite it’s realistic look. I’d like to disclose that I cloned out part of a footbridge in the far right hand side.
While I was processing this image, I found there were so many different white balances inside the frame. The blue sky at dawn had it’s own, the alpen glow had it’s own, the peaks were in between the the sky and the fall foliage, plus the waterfall had so much of a blue cast and the shadows in the far right corner were even cooler on the white balance scale. You may often see some guru talking about white balance and if you set it to an exact setting it fixes all your problems, I find that very hard to believe when many scenes have so many different white balances inside them so it helps but it’s not a fix all. A general setting will help but it’s highly likely you will need to make adjustments during your processing or blend multiple RAW files with different WB* settings. For this image I used Nik’s Color Efex Pro (sieren discount code). The brilliance & warmth slider made some of the white balance adjustments pretty easy and I masked them with a brush to keep the parts I wanted and discarded what I didn’t want to use. Also, I used the Remove Color Cast option for the “too blue” waterfall because the selective color adjustment in PS didn’t do enough. Although it still remains cool, it’s personal taste how warm or cool you may want something to be. Tonal Contrast was also used to bring mid tones to only specific areas I wanted them in. I thought I would share a few processing steps some people may have trouble with.
This year there was a log jam from a flood here at this waterfall so I didn’t bother shooting it but found another little piece of Virgin River shoreline with a couple of golden cottonwoods that I hope to share later after I get back from the Joshua Tree Light Painting Workshop this weekend.
*WB abbreviation for white balance.
Maybe this is my perception but I feel most photographers go nuts over a sunset reflection, if it’s in front of them. Maybe even prefer it over the golden hour when the best light hits the land and creates interesting light and shadows on the subjects that are important in our photographs. Most of the time I think these sunset colored clouds are just background decor to add a little something extra to a scene that doesn’t have the greatest light. Something to just accent an image. Am I the only one that feels this way?
Field notes: Early that morning at North Lake in the Eastern Sierra, as soon as light of dawn revealed there was cloud cover and we could see that the holes in the clouds would likely let some good light through in a few a places. I was with a couple of friends but we all had different agendas, one of them did not want to go into the mess of crowded photographers at the creek outlet of North Lake so he went of into the aspen groves and we never saw him again until we were ready to leave hours later. We had parked on the north side of the lake where it’s a longer walk to the popular spot there. I chatted with a few strangers but kept it short. I took a photo looking towards the White Mountains and figured I’d at least better get into a position where I could at least shoot into multiple directions. There is a creek you must cross or take the long way around, it was at least 32 degrees out and I didn’t want to get my feet wet but I had a change of pants, shoes, and socks in the car if needed. Before I knew it I was crossing the creek to take a couple of different shots in both directions.
The light was good and I was only spending between 30 seconds and a couple of minutes composing scenes, usually I take longer then. There was a sense of rush but I still very calm in between exposures.
This photo does’t really show how crowded it gets in this one spot here at North Lake but I’m sure you could imagine.