New Take on Mt Whitney

Icey reflecion of Mt Whitney covered in alpen glow in the high country of the Eastern Sierra.

As a creative goal I attempt to create unique photographs so if anyone would like to help find a similar photograph please send me a link because I couldn’t find one. It’s give me a reason to go back again! Thanks for viewing folks!

I’ll talk more on the experience up there in a later post, thanks for reading and viewing.

Website: Portfolio
Workshop info: Scenic Photo Workshops
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Triple Arch at Valley of Fire State Park, Nevada

Triple Arch at Valley of Fire

I’ve been sharing a few arch photographs on the internet from the Valley of Fire, well here are a few more to add to the series, “The Land of Little Arches”. Years ago my parents used to live out in Colorado Springs, CO so I’d have a great time looking at a map and trying to figure out how long I could make the trip getting there, the average amount of time getting there was 3 to 4 days and same thing with the way back so I’d visit some fantastic places of the Southwest & Rocky Mountains in good light and scout out a few others in the harsher hours of the day. Unless I could find some kind of canyon full of shade or canyon light then I’d just be there for hours with out a time limit.

Some of you may wonder how decisions are made on what to photograph. Some photographers use a book or a guide, sometimes GPS coordinates. This gives them a little bit of certainty and eliminates some of the risks of taking a possibly bad photograph and not coming home with anything. Of course no one can control the light and weather but some photographers are good at adapting to it so this increases their certainty of pulling off a great photograph such as the one they want to duplicate or hopefully improve upon and later submit to a contest for some kind of validation or just share it with friends. Is this true or not true?

I love to drive down a road and just look for interesting backdrops such as desert mountains or large rock formations. Especially something I haven’t seen shot over and over again. I might have to spend a little more time being out there exploring but the payoff to me is well worth it. It really helps one’s creativity when you are working with something you can’t duplicate. I guess you could compare it to visiting restaurants when traveling, do you judge the place by it’s exterior or look up the reviews online at home or smart phone, personally I don’t care, if I see a BBQ house that looks like shit I immediately think “I’m going in to find out what it’s like”. I’ve had good and bad experiences this way, an eatery known for it’s margaritas called the Loop in the town of Manitou Springs, CO. The margaritas were great but I like spicy food so I ordered “The Plate from Hell”. Let’s just leave it at the plate defeated me, but the experiences from the road are part of what motivate me to keep going.

Photographers often fly to Vegas to visit the Crown Jewels of the Southwest, places such as Bryce Canyon, Zion, and the Grand Canyon. Collect a few images and be gone. They may see Valley of Fire on the map and think I’ll visit sometime and some stop by shoot the Fire Wave, Fire Cave (Windstone Arch), Elephant Rock, and Atlai Rock then check it off the list and say been there done that. Valley of Fire and Lake Mead are so full of photographic opportunities I often found it hard to leave. Even during fun trips to Las Vegas with my friends during the summer I’d find some time sneak off and explore a few canyons here and there. The heat alone was enough to kill me and my water had to be frozen solid before any hikes began. There were many finds in bad light that require more trips into the desert to wait for the good light! As landscape photographers it helps to live in a place where we can be close to beautiful locations we can photograph only minutes away and Las Vegas has no shortage for the icon hunter or the explorer.

See more Valley of Fire images here or find workshop info here.

Half Dome’s North Face

Half Dome is no doubt the most heavily photographed icon in Yosemite Valley. It can be seen from so many vantage points through out the national park. This particular view is photographed very often and has a popular pull out parking called Olmstead Point. You’ll find many photographers and families shooting portraits up there. For us landscape photographers wanting the good light we can get a great view of Half Dome’s North Face from here. In this photograph it’s late light in the afternoon hitting the face of the icon with enough mixture of light and shadows to give it a three dimensional effect. Olmstead Point is located off highway 120 also known as the Tioga Pass road, it’s high elevation makes it’s easy access only available in the very late, early fall and summer months. In the winter you’ll need to snowshoe or cross country ski to access it, there is at least on company out there that will help you if you’re coming up from the bottom of the Tioga Pass on the East Side of the Sierra during winter.

Website: Portfolio
Workshop info: Scenic Photo Workshops
Private or small group workshop info: Learn.
Steve’s Photo Tips and How To Page
Steve’s Landscape Photographer Tools Page

White Balance – Another Approach

This image was taken the previous year at Zion. At this location it can be a little precarious getting down to the water’s edge so the average group will not be found here. It’s a man made waterfall despite it’s realistic look. I’d like to disclose that I cloned out part of a footbridge in the far right hand side.

While I was processing this image, I found there were so many different white balances inside the frame. The blue sky at dawn had it’s own, the alpen glow had it’s own, the peaks were in between the the sky and the fall foliage, plus the waterfall had so much of a blue cast and the shadows in the far right corner were even cooler on the white balance scale. You may often see some guru talking about white balance and if you set it to an exact setting it fixes all your problems, I find that very hard to believe when many scenes have so many different white balances inside them so it helps but it’s not a fix all. A general setting will help but it’s highly likely you will need to make adjustments during your processing or blend multiple RAW files with different WB* settings. For this image I used Nik’s Color Efex Pro (sieren discount code). The brilliance & warmth slider made some of the white balance adjustments pretty easy and I masked them with a brush to keep the parts I wanted and discarded what I didn’t want to use. Also, I used the Remove Color Cast option for the “too blue” waterfall because the selective color adjustment in PS didn’t do enough. Although it still remains cool, it’s personal taste how warm or cool you may want something to be. Tonal Contrast was also used to bring mid tones to only specific areas I wanted them in. I thought I would share a few processing steps some people may have trouble with.

This year there was a log jam from a flood here at this waterfall so I didn’t bother shooting it but found another little piece of Virgin River shoreline with a couple of golden cottonwoods that I hope to share later after I get back from the Joshua Tree Light Painting Workshop this weekend.

*WB abbreviation for white balance.

Website: Portfolio
Workshop info: Scenic Photo Workshops
Private or small group workshop info: Learn.
Steve’s Photo Tips and How To Page
Steve’s Landscape Photographer Tools Page

Wild Light Fall Color Reflection – Eastern Sierra

Maybe this is my perception but I feel most photographers go nuts over a sunset reflection, if it’s in front of them. Maybe even prefer it over the golden hour when the best light hits the land and creates interesting light and shadows on the subjects that are important in our photographs. Most of the time I think these sunset colored clouds are just background decor to add a little something extra to a scene that doesn’t have the greatest light. Something to just accent an image. Am I the only one that feels this way?

Field notes: Early that morning at North Lake in the Eastern Sierra, as soon as light of dawn revealed there was cloud cover and we could see that the holes in the clouds would likely let some good light through in a few a places. I was with a couple of friends but we all had different agendas, one of them did not want to go into the mess of crowded photographers at the creek outlet of North Lake so he went of into the aspen groves and we never saw him again until we were ready to leave hours later. We had parked on the north side of the lake where it’s a longer walk to the popular spot there. I chatted with a few strangers but kept it short. I took a photo looking towards the White Mountains and figured I’d at least better get into a position where I could at least shoot into multiple directions. There is a creek you must cross or take the long way around, it was at least 32 degrees out and I didn’t want to get my feet wet but I had a change of pants, shoes, and socks in the car if needed. Before I knew it I was crossing the creek to take a couple of different shots in both directions.

The light was good and I was only spending between 30 seconds and a couple of minutes composing scenes, usually I take longer then. There was a sense of rush but I still very calm in between exposures.

This photo does’t really show how crowded it gets in this one spot here at North Lake but I’m sure you could imagine.

Workshop info: Scenic Photo Workshops
Website: Portfolio
Private or small group workshop info: Learn.
Steve’s Photo Tips and How To Page
Steve’s Landscape Photographer Tools Page